Some one once spoke to me with scorn
of writing about music; “It’s just like dancing
about architecture—ridiculous!” he said.
I didn’t understand. Is it ridiculous when I write
my paeans to love, these quivering Sanctus Bells
that ring out despite the steady drumbeat of dissent?
And anyway, I thought, surely the majesty of a cathedral
has stirred a sacred dance out of someone.
And if the hubris of a telecommunications tower
has not inspired a physical cacophony of some kind, somewhere,
then post-modernism is a bigger joke than anyone thought.
I will investigate,
but either way, I make this vow;
one day I will commission an expression
in the tangling language of long allusive limbs
a celebration of the vaulting structure of my love,
now just a vision of offering song
but which one day will give shelter
in the well-weathered house of eventually
built with stronger, more confident arms.
(I tell you this story in lieu of writing further on the dissonance
and harmony my lover orchestrated in my tongue,
all the sweet chords that were struck,
through all the false notes that were sung.)
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